Ink on Paper
Ink coverage, absorption and the tooth of the paper under it.
What’s inside
One effect, thirteen types.
One OFX effect for DaVinci Resolve with a Type menu of thirteen surfaces, from ink on paper and photocopy toner to Game Boy Camera and passive LCD. Each type rebuilds the picture the way that process forms an image: ink coverage, toner, heat-printed dots, phosphors and pixels respond to the tone and color of your shot.
Presets
Every preset, rendered.
All 31 presets of Bradford Textures, rendered by the plugin itself on a shot from Open Road A (1951, Bethlehem Steel Company), public domain via the Prelinger Archives, at 720×540, shown cropped to fit. A wipe shows the preset left of the line and the untouched frame right of it.
Ink on Paper
Defaults
Still
Screen
Defaults
Loop · 2 s
CRT, tube · aperture grille · consumer
Loop · 2 s
CRT, tube · slot mask · flat
Loop · 2 s
CRT, tube · worn · breathing 0.06
Loop · 2 s
CRT, tube · radar tube · long persistence
Loop · 2 s
Game Boy Camera
Defaults
Loop · 2 s
Pixelvision
Defaults
Still
Photocopy
Defaults
Wipe · 2 s
Thermal Receipt
Defaults
Loop · 2 s
Dot Matrix
Defaults
Loop · 2 s
Passive LCD
Defaults
Loop · 2 s
Photographic Print
Defaults
Still
Gravure
Defaults
Loop · 2 s
Cyanotype
Defaults
Still
Stencil Duplicator (risograph-style)
Defaults
Loop · 2 s
Monochrome
Loop · 2 s
Blue / Orange
Loop · 2 s
Blue / Pink / Yellow
Loop · 2 s
CMYK
Loop · 2 s
Five-color Poster
Loop · 2 s
Six-color Studio
Loop · 2 s
Cyan / Vermilion / Canary
Loop · 2 s
Screen Print
Defaults
Loop · 2 s
Monochrome
Loop · 2 s
Blue / Orange
Loop · 2 s
Blue / Pink / Yellow
Loop · 2 s
CMYK
Loop · 2 s
Five-color Poster
Loop · 2 s
Six-color Studio
Loop · 2 s
Cyan / Vermilion / Canary
Loop · 2 s
Professional workflows
Colorspace aware, and ready for the facility.
Set a node’s Input to your timeline’s encoding. It converts the picture to where the effect was tuned, does its work and converts back exactly, so the look on an ACES project matches the same shot on a Rec.709 timeline.
The plugin’s own frames, re-encoded in your browser as each timeline stores them, shown without a display transform.
Above White
On an ACES timeline, Clip gives the effect what a Rec.709 clip of the same shot would be, so the look matches exactly. Keep lets highlights through and back out.
Floating licenses
In use on one computer at a time, and handed back when Resolve quits. No deactivating before you move suites. The Mac release and the Windows beta now; the full Windows release when it ships, at no extra cost.
Repeatable renders
Noise and drift come from a seed and the frame number, and GPU and CPU agree, so a re-render or a render node matches the frame you approved.
On a DaVinci Wide Gamut or camera log timeline, put a Color Space Transform to Rec.709 before the effect.
License
The license, in plain words.
The full license agreement is published before the store opens. Read the draft.
Something particular about your setup? Write to us.
Already own a plugin?
Open the license portal- One license, your computers
- In use on one computer at a time, and handed back when Resolve quits. Move between suites without deactivating. The Mac release and the Windows beta now; the full Windows release when it ships, at no extra cost.
- Pay once
- A one-time purchase with updates included. No subscription.
- Both plugins
- The bundle is a license for each plugin, at a lower price than the two apart.
- Yours to manage
- The license portal has your downloads, the computers your licenses are on and your purchases, and returns a license from a computer you cannot reach.