Color Grading

One film, whatever it was shot on.

Graded in DaVinci Resolve, with you in our suite or on a calibrated remote stream.

01Prep and conform
We conform from your turnover and check it against the locked cut before any color work starts.
02Look development
Representative scenes set the film’s range, and you review them before the whole timeline commits.
03Supervised pass
You sit in, in the suite or remote, and we work through the film scene by scene.
04Trim and deliver
Notes addressed, then a trim pass for each target so HDR, SDR, and web all hold.

Tell us what you shot it on.

Features, documentaries, and shorts, graded with you in the room

Most of the work that comes through here is documentary, where the grade has to hold together across sources that were never meant to be cut side by side: modern digital, archival broadcast, scanned film, phone footage, screen recordings. The job is making that feel like one film rather than a survey of formats.